Physics as Poetry and
Toward a
Lovers Of
Wisdom, the Poetry and Lyrics Blog
L. Edgar Otto Thursday, May 09, 2013
* * *
Perhaps love is hard
to write about not because it has been so overdone, generations tired of the
skylarky songs, so harder to discover something new or a new way to say it- but
because it is far so simple if reduced to animal humor and behavior which
seems to be the inevitable end to interpretations and innuendos in art as we go
to the market place of emotions and memories a the centering in our brain stems
where dreams churn and symbols are half real in its own hard to write
perfections as sonnets, limericks, fishy miters and Easter Bonnets...
How much have our
dreams enjoyed the assumptions of past generations that the media, all we had
in the struggle with propaganda to suggest how we might live...what else might
we have written or seen beyond the expediency of war? Each generation wants its children's books
while there are perfectly good classical children's books in that universal language before the spoken word- My
grandmother spoke of the Titanic as if current news from a decade past- wait!
as we dance again in step have we not continued that great prelude for tales of
all such maiden voyages? Some symbols
remain unsinkable.
Watching Old WWII
Movies
L. Edgar Otto beginning: Wednesday, 08 May, 2013
I bit her jug a fore
our Jitter bug
*
She squirmed and
housed my sperm inside her rug
*
= 14 lines ten heartbeats, loops, leave the
dance, wall flowers, stepping on toes formalized as revolution - but can the
eagle use its talons otherwise or the hummingbird sip honey that will make
brittle its beak?
The logic of the form
and lines are not that distant from our crude idea on string theory or physics
in the clouds only of sacred geometry...the couplets joint again pregnant in
the possibilities and the pauses, the patterns duplicate or merge heterosine
radio waves and heterotic strings in conjugation in flat cold geometry of Euclid of which all
this while interesting will pass into a new and vital age of poetry. One obviously more in line with our complexity of biology.
Themes and Title
Ideas as if for the Rascal Booklet of Poems (if I have the time or inclination
to write them)
*2 The Scrawny Mask Rat was a Rascal
*3 As the Raven Flies to Far Rock'a'bye from
Ground Zero
*4 The Moon Following Me Out of Each Others
Sight
*5 Long the Hike to Kierkegaard, Pipe Dream in Dijon at Night
*6 Sun Grows Wood, Wood Makes Fire, I Shan't Get
Home Tonight
*7 I Shall not be
Converted to Your Faith thru My Stolen
Dreams
*8 Only the Gods and
Angels are Neither Created nor Destroyed My Clay Idols
*9 Planting Spaghetti
in My Zen Rock Garden (Form, the small pond eating turtle, as Rascal dines on
small frogs
*10 The Onion's
Petals Unfold, Chicago from Petunia to Rose
*11 Sugar Dominoes
Stood On End, Skyscrapers and Tombstones
*12 Far From Our
Brain Stems, Toxic Rivers to the Salting Sea
*13 When the Sound
was Calm and the Littoral Fresh
*14 Flight thru the
Air with the Greatest of Ease without a Net
* * *
Sonnet Span in Depth
as Mood yet Down to Earth
as if Accidental
Logic of the Rhymes for Emphasis or Parallel Remembering Here, if the Reader
Supplies
in Freer Verse Form
of which Thoughts Perhaps Buried deep remain in an Aether of Intelligibility.
Our rhymes in shifting rhythm, our lives run in parallels, while once our journey beings- strong on our
tongues shared alliteration.
A Jaguar without
Spots
L. Edgar Otto 08 May, 2013
What your life was I
cannot see
but it must have had
its compensations
The whole game in
risk of losing wars
or years of peace
after invasions
No matter what the
screen play script
your walk alone alive
sensations
Free to live far from
evil alien eyes
Heaven or hell's
invisible to anticipations
My old shawled lady
taking off her closes
many layers, rust
flush bowls growing rotten
Imprints your aura as
you strip dancing deep
in polka dots, calicoes, and other feline cotton
My head on the cold
iron lizard Singer sew
Gravity fallen
breasts, for her thrift store ill gotten
* * * * *
Playing Opossum for
the Landlord
L. Edgar Otto Wednesday, 08 May, 2013
The plums, apple,
blackberry bushes along
the bob wire fence of
old Yow's cow pasture
By sesame street the
kids called broken toy road
the chocolate not rub
off our waving snake oil pastor
Rabbit tobacco, cheap
wine, deep down Bourbon street Saturday night special sickle cell disaster
The Opossum rummages
in my attic, I do not think it more than house creak wind, a fallen branch,
acorn
Or black snake
dropping down in its climb for eggs
once an old barn and
drafty, weathered, worn
Slavery without a
master, scarecrow circling crows
donned the hole frayed
suit of a gentleman here born
I yell up who's
there, broomstick thump the ceiling
His yellow rain drips
down my eyes, scent revealing
* * * * *
*2 The Scrawny Mask Rat was a Rascal
Too steep to fall, a
ledge, chain fence and me
a scrawny bear sneaks bugler dark stops trapped
On circuits made so
high a fall to flee
Hello, I said, the
river's rage not mapped
By lights turned on
passers-by walk bridge I camped
not seen, wore dark,
made love, bar close, surprised
I dare not intervene
one night her fight his stamp
his fist, her kiss, I
knew, their dance, my eyes
As well, my rascal's
ritual surmised
I made
him fat, I shared, my sub-sandwich
Outside, two months, to think, genomes, her cries
her
brain, so young, to die, tumor, off switch
Amazed the Crazed
wino invades my home
Rascal, sleeping bag,
steals his wine, spoor foams
* * * * *
Footnote:
I imagine if I participate with the toad poets I should make a separate
poetry only blog...we are always caught between chaos and thoughts of perfection-
yet the sonnet form with some degrees of free verse freedom between the raw
jazz of a folksy Shakespeare and Goethe's or Wagner's mature art. I stand more with Whitman toward the center,
yet I find the form, 14 lines or so, pretty much a good span of lines with the
discipline of condensing in the range of a mood enough to say. The mood or theme goes a above or asks a
question about language- the sonnet particularly resonating with English as a
form and the Logic of it all in dramatic reversals itself a free verse
situation between residual chaos and impossible Godlike perfection.
So I give some
examples which would have continued on this prelude them in a poem for a book
of them- while I come to realize I have been on many walks, as free perhaps as a
rolling stone can be. But what is saved
while the wait for a ride or the long night of trudging on alone? Perhaps the poetic mood as a cloudy memory
where if I take the time to take a breath from living I might understand from a
higher perspective that periods of life walks may be past but not forgotten,
that there was something alive then in the dream of the time and still alive
those trials, angles and scribbles, love letters by the endless checky shores
in the sand.
Yet, not only am I
writing from lost or forgotten poems that intrude upon the present from the past
as if encoded in mere quantum light changing the key to its reading- but more as
I have pondered this project by what might be a small series of poems from the
prelude I find each a prelude as it seems such still unwritten works intrude
also from the future to the now. Being
aware of things within us does not need to change what we are or can be as
creators of such arts that shared or in lonely isolation is healing life
arising anew. Then maybe we may see each
other a little more truly. The creative
life flirts with its prolog in the music we write together, the script and
soundtracks of and for each other.
* * * * *
Magician's Choice and
Riddles Still Confuse You
(What is your philosophy?
the Trickster asked, putting you on the spot, your pencil marks a question or
two out of step, then the graded test- sometimes on the curve...)
To live is also to be
frozen in the moment that seems to have no depth. The eutactic stars unfold and bind together
in their doubling. Love and Wisdom, Love
a center for philosophy or in our work'a'day slumber our stellated or truncated
dreams enfold our world and others against our own created nothingness. Far
from equilibrium, some secret place in the forest in the brush fires and ages
iced over outside the rainbow we find the indifferent universe its comforts
cold, triage to those caught in but pictures of waves that jumbles to our eyes
what we see on the rivers reflected clouds of dreams, or simulated storms of
shadow beasts and rumors- the cosmos without love as we evolve technique and
sirens, breaking thru ice, the emergency paramedics know- Nothing cold can be
declared dead.
When you rise to know
it all in intimate totality, life in fall or flow ever faster its widening span
your frost bitten melting crystal dreams will know me, for in this lesser world
of earthly prayers I have heard them in your songs...
Write then in the
epilog, the dedications and prefaces, apologies fall there in the flower speak
anthologies, for when does the book of poetry end short of sphere's end? I close only to begin again a greater journey
so say it closed but now it seems pointless to say it over and over again. Think not your efforts are of little worth,
for even the grunts and yelps, barbaric in self reflection or trite, are
miracles compared against the nothingness.
Are portals that travel in the utmost mote of a moment or is freedom as
we fly above the sky…
* * * * *
(note posting from library as replies to amy did not show up via phone... the ideas said are in here somewhere)
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