Breakthrough Symmetries

Breakthrough Symmetries

This notion I feel shows the coherence of four axes of the hypercube where they can extend in a tessellation or lattice indefinitely but the individual groups of them oscillate. Inside it, due to the windmill matrix labels 4 and 4 combined in the center of 256 objects at the combination of 70 from Pastel row of 8, there seems to me a certain asymmetry. So I may have gotten it wrong in the matrix or this may be the case when we distinguish the up-down (alpha, A) or right-left (beta, B) of the quasic square grid.n (Would a spinning black hole or a still one emit gamma bursts of the same energy, all variables considered?)

What good is a lattice if it cannot contain anything, as a physical theory? Now one may wonder if the mere sorting of elements and labels in it making patterns is a new level of understanding, even a breakthrough, or just an accident of our methods and notation. I feel this, on the frontiers, is good evidence we need to consider the arrangement of things seen and unseen. Of course as nature hides things because she sees it the way we do and imagine it, a physicality pushed or "flanged" down to the third dimension, so too do some theories stumble on this accusation or invisibility seeming simplicity. But when comprehended there is great satisfaction of discovery as when an artist knows a particular work is outstanding, and those who bring their interpretations to the sculpture so to see it true, share this God for sure sense of the certainty and reality, the coherence of the work.

After the "quasic" lattice of 8 colors above, really my second work of art for the night, a second breakthrough perhaps, I read Kea's paper quietly in the kitchen and this reading I completely understood her vision. I did understand why the physics community would not be excited about such a view and such bold conclusions and humble suggestions as to the direction of thing. This was like my first viewing a painting with a final pinnacle of the intent and idea with comprehension. I understood it to the point where I could show where the theory might be expanded some but only because of the way I made the first artwork last night and the noticing she also arranged some things intuitively, as if a quasic combinatorial method locally in a matrix. Of course I am not educated enough to know what is original here and what is applied mathematical competence so I cannot critique that. The same thing goes for some of Pitkanen's notions. In both cases I find things so parallel and not falling into the perpendicularity of mere and uncertain speculation- yet perhaps all our theories are still incomplete- ahead of some, and sharing the excitement with many who vaguely glimpse the new physic to come. When the symmetries of the chart above sends chills of beauty up your spine you will have comprehended- then maybe we can clean it up a bit, and achieve great new things.

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The first and other artistic achievement of last night was the realization of a whole new hierarchy of Conway matrix structures extending into higher spaces. I will post a second illustration on that sometimes today. I am fortunate I did not change the labels of the pixels when going into the higher space- to start with P to Z for anything outside the 6 x 6 color cube matrix. (of course in the first illustration the alphabet is based only on 24 characters, a different use of the alphabet) and yet these things connect somewhere in the notions of the symbolism.

Part was that vague realization that Fano like slice symmetries may be broken and part was the focusing on some central region, with singularity or not, of cubes such that the coloring of the four axes or eight corners of a 3D does represent the 4D case of we choose the right ones from the set of permutations even of a very high number. In a sense permutations and combination's should be fuzzily distinguished in these cases of complexity so the setting up of the formulas, and the axiom of choice in effect kept at bay over the flat infinite lattice of identities.

There is then in the quasic plane as the hypercube, 36 8 color cubes (or as with our alphabets of speech we can vary this number some) that is not just the 30 of the 24 and so on where the diagonals make for a difference in the kinds of particles- if indeed we want to see them as particles at all anymore- but I do not mean quantum cloudy things. Some cubes can be left out and some such particles are missing in a given theory of them.

Lampion : Just as the Conway matrix describing 3D particles of 3 axes with six colors can be expanded to 4D of 42 particles of 8 colors, these can be taken four axes at a time, wxyz as if we use the fundamental axiom of higher dimensional space [Two Planes intersect at a point] may themselves (that is the core of the square matrix found in the set, 9 of the 15 in the 3D case) be placed in a superconway matrix and I use the alphabet here as A' (letter prime) and so on for the n-con hierarchy.



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Footnote:

There was not enough time and a few interruptions so I could not put down all my thoughts during the exploration, it such a wide space. Nor was it easy to make up new terms as that would only add to the problems of reading and translation and do not do justice to all the notions and symmetries these breakthrough matrices evoke.

Today, shopping for some things with Marcus who is into the Kung-fu Tai-chi unified methods and traditions, checking on his house (I would think creative times when they finally dawn out makes one freshly seeing the world, like being in love the sense of it touches everything and our senses are heightened) he showed me a couple of videos as the physics references the teachers made were a little outside what he experienced in the study of this philosophy over the years. This method seems to combine the more down to earth with the mystical things hard to believe but in the geometric descriptions at least between organisms this world certainly seems to have its own inner truth, easier for me to understand. They too use numbers and geometry based on tradition and experience and are probably not aware of deep analysis as in relation to the metaphors used- like energy.

So I am thinking of certain matrix like things of which the expression of this energy and the neutral or hidden symmetries are rather abstract but centered more in the real- not to help but use my words quasic or flangelation as I said new ones would be confusing- but in terms of stripes and polarization and so on I did have the cat family for poetic metaphors - indeed, the therianthropes are a recurrent romantic fad these days with the return to werewolves and vampires, even the fox as the mark of zorro prime- that old echo from the Pyrenees Don Jaun the brigand and the Condor or que barantas bone crusher over the mountain range hide outs are so echoes and revolutionary for its day.

As I stood there thinking, this is the Siberian Tiger where the lines of polarization are the source and structure of things like jets in stars and particles as we focus the hidden superspaces as they stand down to earth, behind me was a picture of the white tyger, and a small baby stuffed toy one. After all my friends method combines the tyger and the phoenix of fire. My readers whom and whenever search the symmetries and notions herein- but be gentle with the theory where I too may not see some totality of errors- after all it is still small baby tyger.

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