Extension of the
Quasic Brane and Motivic Space into Omnium Generalized Theory
(A General
Stereonometry)
L. Edgar Otto 12 January, 2013
I present here an
informal sketch of the quasic plane to which I planned to have posters or
playing boards run off in detail to see if it may make playing the game more
interesting. So I offer it as art with
the suggestion that in these issues of mirrors and range of tensors and so on
we can with color navigate such spaces easier.
I give a sketch because I am getting better with paint although I do not
consider myself a graphic artist, that program close to the logic. I must admit that the alphanumeric notations
on a higher level of the core binary language require familiarization with some
notational memorization of which such methods are not well received by everyone
and may set the ground into the wrong directions of memory in which where such
memory is free the method seems overly difficult for some minds to feel it not
a burdensome and difficult method.
In the arrangement of
the binary notations it seems clear that in a sense these can be represented in
the usual tensor and vector systems and also across duality, and the inverse
idea of why nature uses multiple generations we can have further variations
wherein such quasiphysicality is not just limited or restricted to the solvable
matrices or magic square stability. To
this end I find the windmill variations useful to explore the patterns and
shifts of which perhaps our genome is the primary physical example.
The K of KLMN is
simple the 4base description of the 00 01 10 11 binaries. The Q as in QKKK... or KKKQ is an abstract
place holder or wildcard much as to how we understand the role of zero and of
decimal places fixed or floating in patterns.
When I apply certain divisions of the spectrum and the wave formulas ( I
mean I find the charge from space or in relation to the influence of distinct matter-
two core view of De Sitter and Einstein useful in say electromagnetic theory but
without these quasic and motivic consideration I do not find something like the
charge of a series of spheres or the surface of say a sun or abstractly some
extra solar as cosmic rays nor even that some apply to general branes useful in
the foundational depths of unification and explanations.) filling in the dark
pixels with these ranges of color,
artist or not I find it evokes in me a sense of beauty in the color as
well as the symmetry of things.
While it is not clear
we can distinguish the color of Love we do seem to intuitively discern the
coloration as well the cherished defects of our lovers.
Of course for those whom have discussed such things (in real life) over the years will recall more formal presentations than here- and it does not seem I am adding much new to the theory recently, more I am trying to show where the concepts fit into a wider scheme of things by which it relates to the wide and rapid evolution outside this unified theory- of which it is not clear, but clearer where I have been behind and where I feel very further ahead. For the sake of possible new readers, in this sketch, I offer much recapitulation or summary.
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