Fractoholons
L. Edgar Otto
19 January, 2013
Later tonight I did a
follow up on the Hogg's Fractal Hex grid seen as if a Brane to notate the
directions (quasic order Zz where between dimensions and generation the circuit
can be open or closed in a given dimension.
The quasic pattern of
5's in fives I imagine a new class of polytopes which of course can be a
particle of sorts (for now a philosophic particle) but clearly in this
condensing (that is the colapsing or compactification my flanged compactons
to use the more general term in use, the dualism of the 5 honeycombs
successively can be thought of as a radial succession, looped, as if five
spherical particles superimposed.
We can debate the
nature of the space such entities are or are embedded in so as to describe
wider manifold, and which are open or closed, flat or curved in various
combinations short of a more unified general view of the totality as physicists
are now doing on the lower level. In any
case at least the quantum theory falls out as a special case, possibly one
direction in description of equivalent geometries over the Omnium, unlike in
the various stances debated for quantum interpretations and its analog extensions into the subatomic.
As Gibbs pointed out
on his blog it is hard to argue with proof so the rewards of mathematics are
recognized faster than those who make breakthrus in physics. Other than what we seem to be doing as if
metaphysics concerning the zero, null, and other nilpotent spaces for a general
intelligible symmetry of the count, a mathematical conservation idea where it
needs to apply as a working assumption, I have the sense what I offer is after
all mathematics, one that moreover seems like the simple proof by
construction. If such pictures do
communicate what we experience in the vision when we look out from ourselves,
eventually to awaken to the principles.
But the intuition while it is still vague to me is an amazing thing that
can call the theory and its trends right- that among the highest of the
amazement and mystery of what we are as sentient beings.
I begin to
understand, for the explicit and careful exposition, why Conway abandoned the
little wooden colored puzzles and other methods for the use of computers. Nevertheless he suggests color useful to
convey number relations. It is not easily evident how we may derive 5 grids
from what we are used to imagining as normal dimensions as arrays of four or at
most their extension into polyhedra of five fold symmetry, but in the cut and
paste drawing it almost seems like the touch with what we see- yet I doubt we
can ultimately replace it and remain the beings we are- but we should face this
virtual world and not let it define us as so many do now who now live socially
in the vague at a distance touch, as with any tangible theory- take it with a
grain of salt. The salt returning to
seed the clouds for rain that flows back to the sea melting in the sky after
its reach as crystals.
But this may not be
an endless process- I mean after speaking the idea, writing it actually, I ask
what more are we close to finding that can still advance things in the
understanding as I climb out of the sea, grow lungs and legs, and like creative
steppingstones now feel the jump not into blind unknowns now give me a good
reason in sight to know to ask?
Or have I just
mindlessly spawned back like the salmon to the fresh but toxic waters of the
volcano lake, the greatest good for the greatest number just the safety by the
herd against the gulls and bears, determined and content the climbing, growing
teeth to defend the scarce terrain, as if perhaps the God who used light bulbs
to incubate the chickens or the eggs that come first at the science fair as a
young man, or a big messy model of a volcano for His science project.
Meanwhile, in the
letters, the graffiti on the derelict building in the decaying down town
someone spray paints the old zen circle or line practiced to perfection, but
one or the other, over a lifetime- was there not a great ape some while back
who made finger paintings, his fan vault themes, his begging for art supplies
more than for food...?
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