*L. Edgar Otto*

**13 November, 2012**

This post started as
informal play with thoughts on the nature of symmetry in our alphabets and
calligraphy and developed rapidly into a color notation that despite the complexity made further generalizations easier to see when applied to standard
and string influences on future physics and theory.

The catfish or cat-whisker runes as all alphabets that distinguish eventually a way to
represent numbers- informally we intuitively desire a different symbolism for
number systems or these as a return to the magic or hidden languages in
different and all to open for decoding Tolkien like first layer of secrecy.

Thus it is
quasi-formal in the sense that the specific notations in quasic blocks are
suggestive of such hyper labeling as colors that shows where the symmetry of
the patterns themselves need better balance, that it needs a balance in the
first place. It suggests further
questioning in the magic like squares- that is in a partition the square
elements vanish as a method presumably in that vectors vanish when surfaces
merge as a principle- in particular the bicolor matrix of 15 cubes is to
naturally be extended as having distinct forms of hidden symmetry combinations
on the quadra-color and penta-color considerations over the quasized field. This I feel a better way to search for the
intelligible patterns and signs for the placement of cubes in more symmetric
order for what in space one at first glace could regard it as non-linear combinatorial theory.

No previous theory
needs be abandoned as these with such principles extend and explain the same
systems further generalized. The string
theory, which seems to abandon or extend the standard theory, at last may
reduce the physics to better understand on some level what is gravity as well
the general idea of the Higgs field as having a place for mass. In this sense,
as five foldness or ten dimensions are applicable after all (with possible
further generalizations in the actuality of better definitions of dimensions)
as if Einstein considered on a simpler theory the unified field as somehow
involving a space of five dimensions.

I used the artistic
spectrum, light and dark colors, beyond black and white as the fourth dimension
I used the invisible ones of the quadra-color (or bi spectrum bicolors). By the crescent shape we note the four
distinct things at a time or the two and two distinct things but the idea of
distinct in the combinatorial defined methods or process itself is a more general concept.

It is hoped that
others may see how I see things and judge themselves the magic runes and what
degree of lunacy these represent... I hope I have the keys explained and that
others who grow tired when they reach the point in texts which they ask after
reading new systems where it says there are things to consider in the
discipline beyond the scope of this book- that they may benefit. But the creative effort here takes time as
well as the things discovered as if reality a given as we and I play in the
mathematical recreations (I hope that of interest for its own sake for some
readers) or perhaps refine our deep connections of theory as serious
business. Let not formality inhibit the
wider truths we need to apply science sanely.

In relation to
biological models if we imagine the string and particle landscape the genome
informatio then this generalization begins the next level of an
intelligible model as epi-genome.
Perhaps, epi-string and epi-particle physics would be useful holding
terms.

* * * * *

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